Fahrenheit 451 Research Paper

The hiss of incinerating pages sounded like the final gasps of hundreds of dying souls.The more we burned, the more hypnotic it became — a mesmerizing spectacle of pages curling and embers dancing into the void.Bradbury believed that we wanted the world to become this way. That we wanted entertainment to replace reading and thinking.

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That we decided to entrust our cultural heritage and knowledge to digital archives.When a printed book is in your possession, no one can track, alter or hack it. When they first encounter a library, the books are like water in a vast digital desert.Seeing, touching and smelling a book is as alien to the firemen as milking a cow by hand would be for most of us.Altering a work so brilliant and beloved always upsets some fans.I knew Bradbury had supported François Truffaut’s 1966 film adaptation. There will be no such disclaimer at the end of my new film, because we burned a lot of books.We designed powerful, kerosene-spitting flamethrowers and torched books — en masse. I was taught at a very young age to read and respect books.The firemen are transfixed by the books — but they still have to burn them. The cover art of most books is protected by copyright, and in most cases we were unable to obtain permission to display it — let alone burn it on camera.So the art directors for my film designed countless original book covers that we could burn. There were always more I wanted to burn than we had time to film.If we save “Wise Blood” then we must preserve “Mein Kampf” as well.Watching the books burn was an otherworldly experience.

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