Literature Technology Essay

Literature Technology Essay-61
This book shows what criticism can do when closely engaged with verbal fabric and form.It concentrates on drawing out the distinctive qualities of poems and plays.

The “greenwood” of Robin Hood, the isle in Shakespeare’s might not appear as radical spaces in themselves, but their potential for producing cultural shifts both within and outside of the literary text becomes an important element of literary production.

This collection of essays will address how these radical literary spaces produce new ways of viewing issues within cultural discourse vis-à-vis resistance—i.e., gender, sexuality, body image, race, class, disability/accessibility, capitalism, surveillance, democracy, immigration, politics, the nation-state, technology, media, digital culture, globalization, climate change, food production/waste, trauma, war, to name but a few.

Attention to geographical, cultural, and sociological spaces in literature introduce readers to the realities of many identities that are overlooked, underrepresented, or oppressed.

Similarly, spatial analysis has also been linked to the recent rise in studies of resistance to dominant and oppressive power.

The Internet is a very powerful worldwide instrument, which serves as a good source for research work and learning.

It generates current information, facts-finding, and is the most outstanding invention in the area of communication in the history of human race.

As regards this, millions of users including researchers would browse through these information and subsequently use them for their work.

Hence the web is then regarded as a paragon medium for disseminating information because it removes the time wasting in between publishing content and making it available to users.

This book's chapters reproduce essays on such major figures as Sir Philip Sidney and John Milton, but also less celebrated writers, including Thomas Carew and — in a new piece — William Drummond, to reconfigure the familiar and help extend the canon.

Shakespeare looms large; his plays and poems, and his influence on Keats, are the subject of half the book.


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