Mean Streets Critical Essay

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Worth a listen, but not exclusive to the Blu-ray; it originally appeared on the 2004 Special Edition DVD.The only other extra is a seven-minute, behind-the-scenes featurette, “Back on the Block,” which contains no earth-shattering revelations, but is a genuine vintage curiosity, having been made during the film’s original promotional period.Sometimes a classic film gets a grand reception on home video, and sometimes it has to sneak out by the fire escape; Warner’s meager platter for is a bit more like the latter, but it gets a pass for a decent HD transfer.Just the same, while the storytelling sags a little as enters into its final stretch, it succeeds as the first of Scorsese’s grand, disturbing, music-infused crescendos, a lethal ambush scored to panicked automotive noise and Eric Clapton/Johnny Mayall and the Bluesbreakers’ “Steppin’ Out.” If, ultimately, the math doesn’t exactly add up, is rife with out-of-focus shots and camerawork that struggles for detail in light-deprived spaces, while the editing is, to put it mildly, rarely on par with what Thelma Schoonmaker would eventually bring to her career-spanning collaboration with Martin Scorsese.What’s lost in the hardscrabble textures of what’s basically the second Real Scorsese Film is compensated for by explosive, Johnny-Boy-esque bravado, an early assemblage of thrilling set pieces and soft-loud-soft horseplay."Raging Bull" is one of those films that is masterfully crafted in all departments. 1 Words taken from Scorsese, after the film was a hit. Cast: Robert De Niro, Harvey Keitel, David Proval, Amy Robinson, Richard Romanus, Cesare Danova, Victor Argo, George Memmoli, Lenny Scaletta, Jeannie Bell, Murray Moston, David Carradine, Lois Walden, Harry Northup Director: Martin Scorsese Screenwriter: Martin Scorsese, Mardik Martin Distributor: Warner Home Video Running Time: 112 min Rating: R Year: 1973 Release Date: July 17, 2012 Buy: Video by 35 years, this Italian gothic is immediately engrossed by the stagnant air that enshrines its milieu.Alberto Marrama’s camera affects a slow-moving fun house ride through a provincial Italian house and the world outside.Although he loses five of his six fights with Sugar Ray Robinson, who is often acknowledged as the world's greatest boxer.Jake's leading antagonist over the years was not Robinson, but his own self-destructive nature.


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