Nineteenth-Century Piano Music Essays On Performance And Analysis

Nineteenth-Century Piano Music Essays On Performance And Analysis-37
Furthermore, De Nora (2002: 31–32) argues that the circumstances and surroundings of the musical performances became to both reflect and construct (gendered) structures of social life in the nineteenth century.

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I will focus strongly on the pianists’ educational background and the repertoire they have played.

Second, I will focus on how these associations of gender impact the pianists’ own experience and performance.

By addressing these questions, I will discuss how the piano’s historical background (social heritage, if you will) can be found in the pianists’ narratives and experiences.

Moreover, how do the unconscious cultural imaginaries actually influence the experience of pianists?

In this article I will discuss two different understandings of performance; that of gender and that of the instrument itself.

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